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NBC confirmed Friday that it had canceled the original “Law & Order,” bringing an end to a 20-year-old television drama that jump-started an era of television production in New York City.
“Law & Order” was on the verge of becoming the longest-running drama in prime-time television history, surpassing “Gunsmoke.” But it appears that the “Law & Order” executive producer, Dick Wolf, has settled for a tie. The final episode of the series will be shown on May 24, NBC confirmed in a news release Friday.
Actors and producers on the program were told Thursday that the series had been canceled, but NBC and Mr. Wolf remained in conversations through Thursday evening, apparently in an attempt to make a deal for a 21st season.
NBC said Friday that it had ordered a new series, “Law & Order: Los Angeles,” or “LOLA” for short. It also renewed “Law & Order: Special Victims Unit” for another season. The network plans to officially announce its 2010-11 schedule on Monday in New York.
Jeff Gaspin, the chairman of NBC Universal Television Entertainment, said in a statement: “The full measure of the collective contributions made by Dick Wolf and his ‘Law & Order’ franchise over the last two decades to the success of NBC and Universal Media Studios cannot be overstated. The legacy of his original ‘Law & Order’ series will continue to make an impact like no other series before.”
Indeed, the original series will still be seen in reruns on cable. Nonetheless, Fred Berner, an executive producer of the show based in New York, said Thursday that the cancellation is a “kick in the gut to New York.”
By one estimate, more than 8,000 people in the city are employed, directly and indirectly, by the series and its two spinoffs. The franchise has been especially important to the many Broadway and Off Broadway actors who make appearances on the shows.
Many will stay employed by the two spinoffs. Still, the end of the original show — often called “the mothership” internally — “will be a devastating blow to the New York City production community,” Mr. Berner said.
Mr. Berner was standing outside a Broadway theater when he was reached on his cellphone Thursday evening. “I guarantee you, every name in the playbill will have appeared on ‘Law & Order,’ one of the three shows,” he said.
Spotting a “Law & Order” shoot on the streets of Manhattan and Brooklyn is almost a rite of passage for New Yorkers.
John Johnston, the executive director of the New York Production Alliance, recently told NBC’s “Today” show that “Dick Wolf is really the one you can point to and say he re-established shooting television in New York.”
“Law & Order” had its premiere in September 1990. A total of 456 episodes have been produced.
The series has averaged about eight million viewers so far this season, half as many as it averaged a decade ago. But in the splintering universe of broadcast television, the ratings and the profits in syndication have been high enough to sustain the series. Many in the television business had expected NBC to renew the original series this month, if only to allow Mr. Wolf to beat “Gunsmoke,” a record he has long sought.
Ed Zuckerman, a former co-executive producer of the series, described himself as stunned by the news of the cancellation. “It’s been such a pillar of the television world we all live in,” he said Thursday.
Analysts say “Law & Order” redefined the crime genre on television by juxtaposing the stories of police officers and prosecutors. An off-screen narrator explained the premise of the series at the start of each self-contained hour-long episode: “In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are their stories.”
Kerry McCluggage, who was the president of Universal TV when “Law & Order” premiered in 1990, said the series had “influenced all the procedural dramas that have come in its wake.”
The series specialized in so-called “ripped from the headlines” plots that reminded viewers of real-life crimes and trials. “Dick always said the bible for the show is the front page of The New York Post,” Mr. Zuckerman said. (He is an occasional contributor to The New York Times.)
By some estimates, “Law & Order” and its spinoffs represent a $1 billion industry for the many companies involved. The three franchises have been remarkably lucrative in syndication, in part because they are repeated so many times by cable channels like USA and TNT.
The franchise’s tentacles also extend well beyond New York: versions of the show have been produced in Russia and France, and last year, a London variation debuted on ITV in the United Kingdom.
Even before NBC confirmed the cancellation, there was speculation that a cable channel would pick up “Law & Order.” TNT, which resurrected another NBC cop drama, “Southland,” last year, said Thursday evening it was “not in ongoing discussions” about giving a series a second life.
Mr. Zuckerman noted that the crime rate in New York has declined markedly in the twenty years that “Law & Order” has fictionalized the city’s seedy underbelly. “I think there are literally more murders on those three shows in Manhattan each year than there are real murders in Manhattan,” he said.
NBC confirmed Friday that it had canceled the original “Law & Order,” bringing an end to a 20-year-old television drama that jump-started an era of television production in New York City.
“Law & Order” was on the verge of becoming the longest-running drama in prime-time television history, surpassing “Gunsmoke.” But it appears that the “Law & Order” executive producer, Dick Wolf, has settled for a tie. The final episode of the series will be shown on May 24, NBC confirmed in a news release Friday.
Actors and producers on the program were told Thursday that the series had been canceled, but NBC and Mr. Wolf remained in conversations through Thursday evening, apparently in an attempt to make a deal for a 21st season.
NBC said Friday that it had ordered a new series, “Law & Order: Los Angeles,” or “LOLA” for short. It also renewed “Law & Order: Special Victims Unit” for another season. The network plans to officially announce its 2010-11 schedule on Monday in New York.
Jeff Gaspin, the chairman of NBC Universal Television Entertainment, said in a statement: “The full measure of the collective contributions made by Dick Wolf and his ‘Law & Order’ franchise over the last two decades to the success of NBC and Universal Media Studios cannot be overstated. The legacy of his original ‘Law & Order’ series will continue to make an impact like no other series before.”
Indeed, the original series will still be seen in reruns on cable. Nonetheless, Fred Berner, an executive producer of the show based in New York, said Thursday that the cancellation is a “kick in the gut to New York.”
By one estimate, more than 8,000 people in the city are employed, directly and indirectly, by the series and its two spinoffs. The franchise has been especially important to the many Broadway and Off Broadway actors who make appearances on the shows.
Many will stay employed by the two spinoffs. Still, the end of the original show — often called “the mothership” internally — “will be a devastating blow to the New York City production community,” Mr. Berner said.
Mr. Berner was standing outside a Broadway theater when he was reached on his cellphone Thursday evening. “I guarantee you, every name in the playbill will have appeared on ‘Law & Order,’ one of the three shows,” he said.
Spotting a “Law & Order” shoot on the streets of Manhattan and Brooklyn is almost a rite of passage for New Yorkers.
John Johnston, the executive director of the New York Production Alliance, recently told NBC’s “Today” show that “Dick Wolf is really the one you can point to and say he re-established shooting television in New York.”
“Law & Order” had its premiere in September 1990. A total of 456 episodes have been produced.
The series has averaged about eight million viewers so far this season, half as many as it averaged a decade ago. But in the splintering universe of broadcast television, the ratings and the profits in syndication have been high enough to sustain the series. Many in the television business had expected NBC to renew the original series this month, if only to allow Mr. Wolf to beat “Gunsmoke,” a record he has long sought.
Ed Zuckerman, a former co-executive producer of the series, described himself as stunned by the news of the cancellation. “It’s been such a pillar of the television world we all live in,” he said Thursday.
Analysts say “Law & Order” redefined the crime genre on television by juxtaposing the stories of police officers and prosecutors. An off-screen narrator explained the premise of the series at the start of each self-contained hour-long episode: “In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are their stories.”
Kerry McCluggage, who was the president of Universal TV when “Law & Order” premiered in 1990, said the series had “influenced all the procedural dramas that have come in its wake.”
The series specialized in so-called “ripped from the headlines” plots that reminded viewers of real-life crimes and trials. “Dick always said the bible for the show is the front page of The New York Post,” Mr. Zuckerman said. (He is an occasional contributor to The New York Times.)
By some estimates, “Law & Order” and its spinoffs represent a $1 billion industry for the many companies involved. The three franchises have been remarkably lucrative in syndication, in part because they are repeated so many times by cable channels like USA and TNT.
The franchise’s tentacles also extend well beyond New York: versions of the show have been produced in Russia and France, and last year, a London variation debuted on ITV in the United Kingdom.
Even before NBC confirmed the cancellation, there was speculation that a cable channel would pick up “Law & Order.” TNT, which resurrected another NBC cop drama, “Southland,” last year, said Thursday evening it was “not in ongoing discussions” about giving a series a second life.
Mr. Zuckerman noted that the crime rate in New York has declined markedly in the twenty years that “Law & Order” has fictionalized the city’s seedy underbelly. “I think there are literally more murders on those three shows in Manhattan each year than there are real murders in Manhattan,” he said.
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